- BPM
- 81
- Key
- C Minor
- Camelot
- 5A
Il dolce suono...Ardon gli incensi - 1952 Remastered Version - Gaetano Donizetti, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Oliviero de Fabritiis, Orchestre Della Radiotelevisione Italiana, Roma Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 13%
- Instrumentalness
- 2%
- Liveness
- 53%
- Loudness
- 74%
- Speechiness
- 6%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -15.55 dB
Summary
"Il dolce suono...Ardon gli incensi - 1952 Remastered Version" by Gaetano Donizetti, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Oliviero de Fabritiis, Orchestre Della Radiotelevisione Italiana, Roma was released on September 2, 2002. Il dolce suono...Ardon gli incensi - 1952 Remastered Version appears to be safe for all ages as it is not explicit. The track order of this song in Maria Callas's "Maria Callas Live in Rome 1952 & San Remo 1954" album is number 3 out of 8. Il dolce suono...Ardon gli incensi - 1952 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Il dolce suono...Ardon gli incensi - 1952 Remastered Version BPM
We consider the tempo marking of Il dolce suono...Ardon gli incensi - 1952 Remastered Version by Gaetano Donizetti, Maria Callas, Orchestra della Radiotelevisione Italiana, Roma, Oliviero de Fabritiis, Orchestre Della Radiotelevisione Italiana, Roma to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Il dolce suono...Ardon gli incensi - 1952 Remastered Version Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | |
 | Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | |
 | La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
 | Maria Padilla: Act 1: Il più tenero suon d'arpa | Gaetano Donizetti, Renée Fleming, Kristine Jepson, Orchestra of St. Luke's, Patrick Summers | B Minor | 1 | 10A | 70 BPM | |
 | Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | |
 | Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | |
 | Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8405728340148926
End: 0.8449058532714844