Sir Charles Mackerras made "STRAUSS SR. - Radetzky-Marsch" available on October 17, 2018. The duration of STRAUSS SR. - Radetzky-Marsch is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. STRAUSS SR. - Radetzky-Marsch's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sir Charles Mackerras's "Kaleidoscope" album is number 3 out of 13. In terms of popularity, STRAUSS SR. - Radetzky-Marsch is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of STRAUSS SR. - Radetzky-Marsch by Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Pinchas Zukerman, Sir Charles Mackerras, London Symphony Orchestra | E Minor | 2 | 9A | 150 BPM | ||
Quintettino Op.30 No.6, G.324: 2. Minuetto | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 137 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
North Country Sketches: 4. The March of the Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | F Major | 1 | 7B | 77 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM |
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