Ruggero Leoncavallo, Plácido Domingo, London Symphony Orchestra, Marcel Peeters's '"Mattinata"' came out on January 1, 1993. The duration of "Mattinata" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. "Mattinata"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Plácido Domingo's "Love Songs And Tangos" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, "Mattinata" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Mattinata" by Ruggero Leoncavallo, Plácido Domingo, London Symphony Orchestra, Marcel Peeters to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Pagliacci / Act I: Sei lá! Credea che te ne fossi andato | Ruggero Leoncavallo, Joan Carlyle, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 0 | 7B | 108 BPM | ||
Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? | Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 144 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM |
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