"24 Preludes for Piano: No. 10 in C-Sharp Minor" by Sulkhan Tsintsadze, Inga Fiolia was released on February 8, 2019. The duration of 24 Preludes for Piano: No. 10 in C-Sharp Minor is about 3 minutes long, at 3:01. Based on our data, "24 Preludes for Piano: No. 10 in C-Sharp Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Tsintsadze: 24 Preludes for Piano". In this album, this song's track order is #10. Based on our statistics, 24 Preludes for Piano: No. 10 in C-Sharp Minor's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Preludes for Piano: No. 10 in C-Sharp Minor by Sulkhan Tsintsadze, Inga Fiolia having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces on Folk Themes: No. 2, Tchonguri | Sulkhan Tsintsadze, Daniil Shafran, Nina Musinyan | D Major | 0 | 10B | 174 BPM | ||
Six Songs for Cello and Piano: 4. Wiegenlied, Op. 49 No. 4 (Arr. for cello and piano) | Johannes Brahms, Emmanuelle Bertrand, Pascal Amoyel | F Major | 0 | 7B | 116 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango | Luigi Boccherini, Cuarteto Casals, Carles Trepat | D Major | 2 | 10B | 113 BPM | ||
Indi-mindi | Sulkhan Tsintsadze, Rastrelli Cello Quartett | F Major | 3 | 7B | 141 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | F Minor | 1 | 4A | 89 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
5 Pieces: No. 3. Sachidao (arr. for cello and bayan) | Elsbeth Moser, Sulkhan Tsintsadze, Nicolas Altstaedt | G Major | 3 | 9B | 113 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM |
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