"Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango" by Luigi Boccherini, Cuarteto Casals, Carles Trepat was released on August 23, 2011. Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango appears to be safe for all ages as it is not explicit. The song is number 15 out of 15 in Boccherini: La musica notturna delle strade di Madrid by Luigi Boccherini, Cuarteto Casals. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guitar Quintet No. 6 in D Major, G. 448: Guitar Quintet No. 6 in D Major, G. 448: III. Grave assai - IV. Fandango by Luigi Boccherini, Cuarteto Casals, Carles Trepat is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Art of Fugue, BWV 1080: Contrapunctus VII, a 4 per augmentationem et diminutionem | Johann Sebastian Bach, Cuarteto Casals | B♭ Major | 2 | 6B | 75 BPM | ||
Sonata No. 2 in C Major, Op. 5, G. 26: II. Largo | Luigi Boccherini, Enrico Gatti, Franco Angeleri | F Minor | 1 | 4A | 86 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Sonata VI. Es ist vollbracht. Lento | Franz Joseph Haydn, Cuarteto Casals | B♭ Major | 0 | 6B | 83 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: II. Allegro con spirito | Luigi Boccherini, Cuarteto Casals, Eckart Runge | B Major | 1 | 1B | 141 BPM | ||
La Gitana | Fritz Kreisler, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 76 BPM |
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