"Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn" by Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen was released on January 1, 2008. Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Svendsen, J.: Orchestral Music". In this album, this song's track order is #2. Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn by Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 60 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Symphony No. 1 in C Minor, Op. 7: I. Allegro patetico | Eyvind Alnæs, Latvian National Symphony Orchestra, Terje Mikkelsen | C Minor | 2 | 5A | 70 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Cello Concerto No. 1 in B Minor, Op. 5: III. Allegretto | Karl Davidov, Wen-Sinn Yang, Latvian National Symphony Orchestra, Terje Mikkelsen | B Minor | 1 | 10A | 81 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM |
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