"Stimmen der Nacht, Op. 4 No. 3" by Carl Ecker, Amadeus Choir, Nicol Matt was released on February 5, 2021. The duration of Stimmen der Nacht, Op. 4 No. 3 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Stimmen der Nacht, Op. 4 No. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 22 in For Evening is Coming: Songs of the German Romanticism by Amadeus Choir, Nicol Matt, Benedikt Haag. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stimmen der Nacht, Op. 4 No. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stimmen der Nacht, Op. 4 No. 3 by Carl Ecker, Amadeus Choir, Nicol Matt is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM | ||
Cantique de Jean Racine, Op. 11 (Arr. Rutter) | Gabriel Fauré, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | D♭ Major | 2 | 3B | 86 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Candide / Act I: 1a. Westphalia Chorale | Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra | F Major | 2 | 7B | 63 BPM | ||
The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
Trad / Arr Copland : Old American Songs Set 1 : IV Simple Gifts | Anonymous, Hugh Wolf, Hugh Wolff, Saint Paul Chamber Orchestra | F Minor | 1 | 4A | 81 BPM | ||
Cuore di Cristo | Marco Frisina | G Minor | 3 | 6A | 89 BPM | ||
Eternal Father, Strong to Save | Huddersfield Choral Society | G Major | 1 | 9B | 108 BPM | ||
Nyt Kulkee Halki Korpimaan | Tuomas Katajala | G Major | 4 | 9B | 69 BPM | ||
Jerusalem (And did those feet in ancient time) | Hubert Parry, Royal Choral Society, London Philharmonic Orchestra & Sir Andrew Davis, Andrew Davis, London Philharmonic Orchestra | F Major | 2 | 7B | 88 BPM |
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