"Candide / Act I: 1a. Westphalia Chorale" by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra was released on January 1, 1991. With Candide / Act I: 1a. Westphalia Chorale being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 1a. Westphalia Chorale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 1a. Westphalia Chorale by Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: 2. Dies irae | Andrew Lloyd Webber, Plácido Domingo, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Paul Miles-Kingston | G Minor | 3 | 6A | 73 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B Major | 2 | 1B | 170 BPM | ||
Suor Angelica: Ave Maria, piena di gratia | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 0 | 7B | 106 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
11. How beautifully blue the sky | Arthur Sullivan, Valerie Masterson, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F♯ Major | 1 | 2B | 82 BPM | ||
Candide, Act I (Remastered): It Must be So | Leonard Bernstein, Robert Rounseville, Samuel Krachmalnick, Candide Orchestra | A Minor | 1 | 8A | 112 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, London Symphony Orchestra | D♭ Major | 0 | 3B | 56 BPM |
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