"A Midsummer Night's Dream / Act 1: "Stay, Though Thou Kill Me, Sweet Demetrius"" by Benjamin Britten, Heather Harper, Thomas Hemsley, Sir Peter Pears, Josephine Veasey, London Symphony Orchestra was released on January 1, 1967. With this song being about 5 minutes long, at 5:14, "A Midsummer Night's Dream / Act 1: "Stay, Though Thou Kill Me, Sweet Demetrius"" by Benjamin Britten, Heather Harper, Thomas Hemsley, Sir Peter Pears, Josephine Veasey, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. A Midsummer Night's Dream / Act 1: "Stay, Though Thou Kill Me, Sweet Demetrius" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 1: "Stay, Though Thou Kill Me, Sweet Demetrius" by Benjamin Britten, Heather Harper, Thomas Hemsley, Sir Peter Pears, Josephine Veasey, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Brandenburg Concerto No. 3 in G, BWV 1048: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Les Illuminations, Op. 18: X. Départ. Largo mesto | Benjamin Britten, Vladimir Jurowski, London Philharmonic Orchestra, Sally Matthews | B♭ Major | 5 | 6B | 124 BPM |
Section: 0.92641282081604
End: 0.9315452575683594