"Also sprach Zarathustra, Op. 30: Von den Hinterweltlern" by Richard Strauss, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 2002. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 72 in the song's album "Strauss, Richard: The Tone Poems". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Also sprach Zarathustra, Op. 30: Von den Hinterweltlern's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: Von den Hinterweltlern by Richard Strauss, Los Angeles Philharmonic, Zubin Mehta having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For Violin And Strings In F, Op.8, No.3, RV.293 "L'autunno": 2. Adagio molto (Ubriachi dormienti) - Live | Antonio Vivaldi, Shlomo Mintz, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 121 BPM | ||
Marion's Theme - From "Raiders Of The Lost Ark" / Live At Walt Disney Concert Hall, Los Angeles / 2019 | John Williams, Los Angeles Philharmonic, Gustavo Dudamel | C Minor | 1 | 5A | 88 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
"West Side Story" - Symphonic Dances: V. Cha-cha - Live | Leonard Bernstein, Los Angeles Philharmonic | G Major | 0 | 9B | 106 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I - Live At Walt Disney Concert Hall, Los Angeles / 2011 | Johannes Brahms, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 2 | 8B | 116 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 3 | 10B | 131 BPM | ||
Finale. Marcia, assai vivace - Allegretto, ma non troppo (quasi Andante con moto) | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | C Major | 2 | 8B | 81 BPM | ||
Symphony No. 6 in D Minor, Op. 104: III. Poco vivace - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A♭ Major | 2 | 4B | 106 BPM | ||
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: Einleitung | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 74 BPM |
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