Leonard Bernstein, Los Angeles Philharmonic made ""West Side Story" - Symphonic Dances: V. Cha-cha - Live" available on January 1, 1983. With "West Side Story" - Symphonic Dances: V. Cha-cha - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leonard Bernstein, Los Angeles Philharmonic, George Gershwin's "Gershwin: Rhapsody in Blue; Prelude for Piano No. 2 / Bernstein: Symphonic Dances From "West Side Story"" album is number 7 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, "West Side Story" - Symphonic Dances: V. Cha-cha - Live is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of "West Side Story" - Symphonic Dances: V. Cha-cha - Live by Leonard Bernstein, Los Angeles Philharmonic to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
Symphonic Suite (From the Film "On The Waterfront"): Andante - Presto barbaro Presto barbaro | Leonard Bernstein | F Minor | 3 | 4A | 142 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | F Major | 1 | 7B | 122 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto - Allegretto | Béla Bartók, Fritz Reiner, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 120 BPM | ||
Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto | Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 2 | 6B | 107 BPM | ||
Estancia, Op. 8a: I. Los trabajadores agrícolas | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | F Minor | 4 | 4A | 125 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | A♭ Major | 1 | 4B | 116 BPM |
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