Orchestra of the Viennese Volksoper & Alfred Scholz's 'Pizzicato Polka, Op. 214' came out on January 1, 2009. The duration of Pizzicato Polka, Op. 214 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pizzicato Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra of the Viennese Volksoper & Alfred Scholz's "Great Strauss Waltzes, Polkas & Marches: Alfred Scholz & The Viennese Folk Opera Orchestra" album is number 11 out of 21. On top of that, United States appears to be the country where this track was created. Pizzicato Polka, Op. 214 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pizzicato Polka, Op. 214 by Orchestra of the Viennese Volksoper & Alfred Scholz to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 1 in D-Flat Major, Op. 64 | Frédéric Chopin, Dubravka Tomšič | D♭ Minor | 1 | 12A | 88 BPM | ||
2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra | 101 Strings Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Light as a Feather Polka, Op. 139 | Johann Strauss II, Peter Falk, Vienna Volksoper Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" | Rundfunkorchester des Südwestfunks Baden-Baden | G Major | 2 | 9B | 111 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM |
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