"2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra" by 101 Strings Orchestra was released on July 1, 2006. With 2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "SCIENCE FICTION MOVIE BEST SELECTION - STAR WARS -". In this album, this song's track order is #8. 2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2001 A SPACE ODDYSEY: FANFARE From Also Sprach Zarathustra by 101 Strings Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt Suite No. 1, Op. 46 - 1. Morgenstemning (Morning Mood) | The Royal Festival Orchestra | E Major | 1 | 12B | 139 BPM | ||
Toccata and Fugue in D minor, BWV 565: Toccata | Johann Sebastian Bach, Daniel Chorzempa | D Major | 2 | 10B | 79 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) | Paavo Berglund | E Major | 0 | 12B | 77 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In the Hall of the Mountain King | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | A Major | 1 | 11B | 119 BPM | ||
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Finale. Presto - Allegro assai | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 96 BPM | ||
L'Apprenti sorcier | Paul Dukas, Rotterdam Philharmonic Orchestra, David Zinman | F Minor | 3 | 4A | 95 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM |
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