"Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning)" by Paavo Berglund was released on August 16, 2013. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paavo Berglund's "Icon - Paavo Berglund" album is number 1 out of 56. Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Prelude (Morning) by Paavo Berglund to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Madama Butterfly - Opera in two acts (1986 Digital Remaster), Act II: Humming Chorus | Giacomo Puccini, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | B♭ Major | 0 | 6B | 74 BPM | ||
La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | F♯ Major | 0 | 2B | 88 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley | F Minor | 3 | 4A | 149 BPM | ||
Der fliegende Holländer: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Minor | 3 | 8A | 88 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bournemouth Symphony Orchestra, Paavo Berglund | E♭ Minor | 1 | 2A | 110 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico | Max Bruch, Frank Peter Zimmermann, Paavo Berglund | D Minor | 2 | 7A | 148 BPM | ||
Glazunov: Piano Concerto No. 1 in F Minor, Op. 92: II. (f) Variation V | Alexander Glazunov, John Ogdon, Paavo Berglund, Bournemouth Symphony Orchestra | D Major | 2 | 10B | 92 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM |
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