"Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto" by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe had its release date on January 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Beethoven: Symphonies Nos. 7 & 8 - Overture from the Ruins of Athens by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
Trio pour piano et violoncelle en Mi Bémol Majeur, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Andreas Staier, Daniel Sepec, Roel Dieltiens | C Minor | 0 | 5A | 96 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Violin Concerto: I. — | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | ||
Rêverie, L. 68 | Claude Debussy, Werner Haas | D Minor | 0 | 7A | 126 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM |