- BPM
- 74
- Key
- G Major
- Camelot
- 9B
Holberg Suite, Op. 40: I. Prelude (Version for Strings) - Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti Information
- Acousticness
- 93%
- Danceability
- 39%
- Energy
- 14%
- Instrumentalness
- 89%
- Liveness
- 16%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 0%
- Loudness
- -18.624 dB
Summary
Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti's 'Holberg Suite, Op. 40: I. Prelude (Version for Strings)' came out on April 3, 2012. The duration of Holberg Suite, Op. 40: I. Prelude (Version for Strings) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Holberg Suite, Op. 40: I. Prelude (Version for Strings)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Richard Tognetti, Australian Chamber Orchestra's "Grieg: holberg suite - string quartet in g minor - 2 elegiac melodies - erotikk" album is number 8 out of 12. On top of that, Sweden appears to be the country where this track was created. Holberg Suite, Op. 40: I. Prelude (Version for Strings) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Holberg Suite, Op. 40: I. Prelude (Version for Strings) BPM
We consider the tempo marking of Holberg Suite, Op. 40: I. Prelude (Version for Strings) by Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Holberg Suite, Op. 40: I. Prelude (Version for Strings) Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Symphony No. 104 in D Major, Hob.I:104, "London": I. Adagio - Allegro | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | |
 | Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | |
 | Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | |
 | Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | |
 | Berceuse, Op. 16 | Gabriel Fauré, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 94 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |
- ISRC
- SEAES1277080
- Label
- L-M Records/RCA Records
Section: 0.6262199878692627
End: 0.6299169063568115