"Peer Gynt Suite No. 1, Op. 46: Morning Mood" by London Philharmonic Orchestra was released on May 24, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Greatest Relaxing Pieces". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: Morning Mood's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt Suite No. 1, Op. 46: Morning Mood by London Philharmonic Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets Suite, Op. 32: I. Mars | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 4 | 4B | 77 BPM | ||
Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Adrian Boult, Geoffrey Mitchell Choir, London Philharmonic Orchestra | A♭ Minor | 0 | 1A | 81 BPM | ||
Traumerei Op.15/7 (Dreaming from Scenes From Childhood) | South German Philharmonic Orchestra | F Major | 0 | 7B | 136 BPM | ||
Nocturne in B-Flat Minor, Op. 9, No. 1 | Frédéric Chopin, Vladimir Feltsman | E♭ Minor | 0 | 2A | 67 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped | Karl Jenkins, London Philharmonic Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM |
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