"Warsaw Concerto (1941)" by Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones was released on January 1, 1997. Since Warsaw Concerto (1941) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia's "Music of Richard Addinsell including Warsaw Concerto" album is number 1 out of 17. Warsaw Concerto (1941) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Warsaw Concerto (1941) by Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Lullaby for Penelope | Leslie Osborne, Studio 2 Concert Orchestra, Reginald Kilbey | D Major | 1 | 10B | 82 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Lieder ohne Worte (Song without Words), Book 5, Op. 62: No. 30 in A Major, Op. 62, No. 6, "Fruhlingslied" (arr. for violin, cello and strings) | Anonymous, Felix Mendelssohn, Béla Bánfalvi, Karoly Botvay, Budapest Strings | A Major | 1 | 11B | 102 BPM | ||
Love on the Dole: Courting Couples | Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra | D Major | 3 | 10B | 126 BPM | ||
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 116 BPM | ||
Deh, vieni alla finestra | Dawid Kimberg | D Major | 0 | 10B | 69 BPM | ||
Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM |
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