Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra's 'Love on the Dole: Courting Couples' came out on February 1, 2003. With this song being about 5 minutes long, at 4:41, "Love on the Dole: Courting Couples" by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "The Film Music of Richard Addinsell". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Love on the Dole: Courting Couples's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Love on the Dole: Courting Couples by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D Major, Op. 35: 2. Romance: Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
Blithe Spirit: Main Title (1945) | Richard Addinsell | C Major | 3 | 8B | 124 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Cuban Overture | New Zealand Symphony Orchestra, George Gershwin | E Minor | 2 | 9A | 94 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
The Black Rose: The Black Rose Theme | Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra | D Major | 3 | 10B | 126 BPM | ||
Festival | Richard Addinsell, Philip Martin, BBC Concert Orchestra, Kenneth Alwyn | F Major | 2 | 7B | 72 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): I. Lyric Waltz from "Suite No. 1 for Jazz Orchestra" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | C Minor | 1 | 5A | 184 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM |
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