Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard's ' "Le Diable à Paris, Act III: III. Sextuor "La Folie collective" - Live" was released on its scheduled release date, June 25, 2021. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marcel Lattès, Orchestre des Frivolités Parisiennes, Dylan Corlay's "Marcel Lattès: Le Diable à Paris (Live)" album is number 16 out of 28. On top of that, France appears to be the country where this track was created. Based on our statistics, Le Diable à Paris, Act III: III. Sextuor "La Folie collective" - Live's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Diable à Paris, Act III: III. Sextuor "La Folie collective" - Live by Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Le Diable à Paris, Act I: XI. Finale - Live | Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard | B♭ Major | 3 | 6B | 126 BPM | ||
Nenia | Franco Alfano, Davide Vendramin | E Minor | 0 | 9A | 78 BPM | ||
La traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
Galathée, Act I: Que dis-tu ? (Galathée) | Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | D Major | 2 | 10B | 99 BPM | ||
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |