Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre Bleuse's ' "Galathée, Act I: Que dis-tu ? (Galathée)" was released on its scheduled release date, September 16, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 13 in Bijoux perdus by Jodie Devos, Brussels Philharmonic, Pierre Bleuse. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Galathée, Act I: Que dis-tu ? (Galathée) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Galathée, Act I: Que dis-tu ? (Galathée) by Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre Bleuse is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 100 BPM | ||
Two Poems by Oscar Wilde: Her Voice | Patrick Leterme, Jodie Devos, Nicolas Krüger | A♭ Major | 1 | 4B | 78 BPM | ||
Bottesini: Double Bass Concerto in B Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 1 | 9B | 167 BPM | ||
Jaguarita l'Indienne, Act II, Scene 6: Et maintenant filles des bois (Jaguarita, Chœur) | Fromental Halévy, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | C Major | 3 | 8B | 130 BPM | ||
Così fan tutte, K. 588: Act I Scene 2: Duetto: Ah guarda, sorella (Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Stuart Burrows, Thomas Allen, Richard van Allan, Kiri Te Kanawa, Agnes Baltsa, Christa Mayer, Daniela Mazzuccato, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | A Major | 1 | 11B | 83 BPM | ||
Evening Songs, Op. 3: No. 7, Když jsem se díval do nebe | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | G Minor | 1 | 6A | 97 BPM | ||
Doña Francisquita, Act III: Canción del Marabú (Aurora, Cardona) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Raquel Pierotti, Santiago Jerico | F Major | 1 | 7B | 83 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Madama Butterfly : Addio, Fiorito Asil | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | D♭ Major | 3 | 3B | 82 BPM | ||
La vestale, Act I: Chœur. De lauriers couvrons les chemins (II) | Gaspare Spontini, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | D Major | 3 | 10B | 179 BPM |