Le Diable à Paris, Act I: XI. Finale - Live - Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard Information

Acousticness: 96%
Danceability: 52%
Energy: 32%
Instrumentalness: 1%
Liveness: 14%
Loudness: 72%
Speechiness: 7%
Valence: 67%
Popularity: 0%
Loudness: -17.02 dB

Summary

Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard's ' "Le Diable à Paris, Act I: XI. Finale - Live" was released on its scheduled release date, June 25, 2021. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Marcel Lattès, Orchestre des Frivolités Parisiennes, Dylan Corlay's "Marcel Lattès: Le Diable à Paris (Live)" album is number 11 out of 28. On top of that, France appears to be the country where this track was created. Based on our statistics, Le Diable à Paris, Act I: XI. Finale - Live's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Le Diable à Paris, Act I: XI. Finale - Live BPM

We consider the tempo marking of Le Diable à Paris, Act I: XI. Finale - Live by Marcel Lattès, Julie Mossay, Sarah Laulan, Denis Mignien, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Le Diable à Paris, Act I: XI. Finale - Live Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suor Angelica: O sorelle in pio lavoro	Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge	D♭ Major	1	3B	91 BPM
Le Diable à Paris, Act II: VI. Couplets "Je n'veux plus vous voir" - Live	Marcel Lattès, Marion Tassou, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard	F Major	2	7B	132 BPM
Candide / Act I: 4. Oh, Happy We	Leonard Bernstein, June Anderson, Jerry Hadley, London Symphony Orchestra	G Major	1	9B	109 BPM
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé)	Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles	A Major	1	11B	70 BPM
Dolina	Mazowsze	A Minor	0	8A	135 BPM
Canzonetta spagnuola	Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni	D Major	4	10B	103 BPM
Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù]	Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon	B♭ Minor	2	3A	118 BPM
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena)	Heitor Villa-Lobos, Patricia Petibon, Orquesta Nacional De España, Josep Pons	F Major	0	7B	62 BPM
Le Diable à Paris, Act I: VI. Trio Marguerite, André, Fouladou - Live	Marcel Lattès, Marion Tassou, Mathieu Dubroca, Paul-Alexandre Dubois, Orchestre des Frivolités Parisiennes, Dylan Corlay, Céline Groussard	B♭ Major	3	6B	126 BPM
4. Fare thee well, attractive stranger	Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	C Major	2	8B	78 BPM

ISRC: FR9W12110997
Label: L-M Records/RCA Records