- BPM
- 92
- Key
- B♭ Major
- Camelot
- 6B
Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham) - Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota Information
- Acousticness
- 95%
- Danceability
- 39%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 75%
- Speechiness
- 10%
- Valence
- 8%
- Popularity
- 1%
- Loudness
- -15.191 dB
Summary
"Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham)" by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota was released on August 26, 2008. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 29 in Donizetti, G.: Roberto Devereux [Opera] (Bergamo Musica Festival, 2006) by Gaetano Donizetti, Marcello Rota. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham) BPM
The tempo marking of Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham) by Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Roberto Devereux: Act III: Ne riede ancora il mio consorte (Sara, Un Familiare, Nottingham) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | |
 | Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | |
 | Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | |
 | Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | |
 | Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 1 | 8B | 116 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM |
- ISRC
- HKI190760606
- Label
- L-M Records/RCA Records
Section: 0.5775694847106934
End: 0.5810775756835938