"Korngold: Die tote Stadt, Op. 12, Act 1: Marietta’s lied" by Erich Wolfgang Korngold, Renaud Capuçon had its release date on November 12, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Un violon à Paris". In this album, this song's track order is #8. The popularity of Korngold: Die tote Stadt, Op. 12, Act 1: Marietta’s lied is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Korngold: Die tote Stadt, Op. 12, Act 1: Marietta’s lied by Erich Wolfgang Korngold, Renaud Capuçon having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
17 Polish Songs, Op. posth. 74: No. 2, "Spring" (Wiosna), B.116 (Arr. for Cello and Piano by C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | G Minor | 1 | 6A | 75 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | C Minor | 1 | 5A | 93 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM | ||
Bach, JS: Sonata for Violin & Keyboard No. 5 in F Minor, BWV 1018: I. [Largo] | Johann Sebastian Bach, Renaud Capuçon, David Fray | F Minor | 0 | 4A | 71 BPM | ||
Radioscopie | Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | ||
Violin Concerto, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew Haveron | A Major | 2 | 11B | 144 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM |