New Zealand Symphony Orchestra, Georges Bizet's 'La Jolie Fille De Perth Suite: Danse Bohemienne' came out on November 4, 1994. The duration of La Jolie Fille De Perth Suite: Danse Bohemienne is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La Jolie Fille De Perth Suite: Danse Bohemienne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 12 in Bizet: Symphony In C Major/Jeux D'enfants/Scènes Bohémiennes by New Zealand Symphony Orchestra. In terms of popularity, La Jolie Fille De Perth Suite: Danse Bohemienne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Jolie Fille De Perth Suite: Danse Bohemienne by New Zealand Symphony Orchestra, Georges Bizet is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Concerto Grosso: Scherzo | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Variation 8: Molto sostenuto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | E Major | 0 | 12B | 78 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Symphonic Metamorphosis after Themes by Carl Maria von Weber: Marsch | Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker | E♭ Major | 1 | 5B | 165 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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