Concerto Grosso: Scherzo
Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd
Vaughan Williams: Fantasias / Norfolk Rhapsody / In the Fen Country / Concerto Grosso
1:49 July 9, 2003
BPM
78
Key
G Major
Camelot
9B

Embed

Share Link

Concerto Grosso: Scherzo - Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd Information

Acousticness
90%
Danceability
26%
Energy
28%
Instrumentalness
92%
Liveness
8%
Loudness
76%
Speechiness
4%
Valence
29%
Popularity
Loudness
-14.449 dB

Summary

Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd's 'Concerto Grosso: Scherzo' came out on July 9, 2003. With Concerto Grosso: Scherzo being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vaughan Williams: Fantasias / Norfolk Rhapsody / In the Fen Country / Concerto Grosso by Ralph Vaughan Williams, James Judd. The song's track number on the album is #8 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Concerto Grosso: Scherzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto Grosso: Scherzo BPM

Since Concerto Grosso: Scherzo by Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto Grosso: Scherzo being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Concerto Grosso: Scherzo Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Chant du menestrel for Cello and Orchestra, Op. 71 by Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinChant du menestrel for Cello and Orchestra, Op. 71Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinF♯ Minor011A87 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Vespers, Op. 37: V. Vespers, Op. 37: V. "Nyne otpushchayeshi"Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai KornievF♯ Major02B135 BPM
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 by Felix Mendelssohn, Jacqueline du Pré, Gerald MooreMendelssohn: Song Without Words in D Major, Op. 109, MWV Q34Felix Mendelssohn, Jacqueline du Pré, Gerald MooreD Major010B93 BPM
Adoration (Version for Solo Violin and String Orchestra) by Florence Beatrice Price, Daniel Hope, Zürcher KammerorchesterAdoration (Version for Solo Violin and String Orchestra)Florence Beatrice Price, Daniel Hope, Zürcher KammerorchesterD Major110B80 BPM
English Pastoral Impressions: I. Spring Morning by John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard ShelleyEnglish Pastoral Impressions: I. Spring MorningJohn Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard ShelleyE♭ Major05B101 BPM
Folk Tale by Arnold Bax, Gerald Peregrine, Antony InghamFolk TaleArnold Bax, Gerald Peregrine, Antony InghamG Minor16A167 BPM
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental by Gerald Finzi, Aurora Orchestra, Nicholas CollonLove's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - InstrumentalGerald Finzi, Aurora Orchestra, Nicholas CollonC Minor15A99 BPM
Mass in G Minor: Agnus Dei by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew NethsinghaMass in G Minor: Agnus DeiRalph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew NethsinghaD Major010B76 BPM
ISRC
HKI190314008
Label
L-M Records/RCA Records

Section: 0.7283904552459717

End: 0.7338705062866211