"Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin)" by Richard Strauss, Gerhard Unger, Lucia Popp, Benno Kusche, Bavarian State Orchestra, Margarethe Bence, Hans Wilbrink, David Thaw, Claire Watson, Brigitte Fassbaender, Lorenz Fehenberger, Karl Ridderbusch, Albrecht Peter, Georg Paskuda, Chor der Bayerischen Staatsoper, Franz Klarwein, Annelie Waas, Carlos Kleiber was released on January 1, 2016. The duration of Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "R. Strauss: Der Rosenkavalier (The Knight of the Rose), Op. 59, TrV 227". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227, Act I: Act I: Wie du warst! Wie du bist! (Octavian, Marschallin) by Richard Strauss, Gerhard Unger, Lucia Popp, Benno Kusche, Bavarian State Orchestra, Margarethe Bence, Hans Wilbrink, David Thaw, Claire Watson, Brigitte Fassbaender, Lorenz Fehenberger, Karl Ridderbusch, Albrecht Peter, Georg Paskuda, Chor der Bayerischen Staatsoper, Franz Klarwein, Annelie Waas, Carlos Kleiber having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM |
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