"Piano Concerto No.5 in F, Op.103 "Egyptian": 1. Allegro animato" by Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit was released on January 1, 2007. Piano Concerto No.5 in F, Op.103 "Egyptian": 1. Allegro animato appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Saint-Saens: Piano Concertos Nos.2 & 5 etc". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No.5 in F, Op.103 "Egyptian": 1. Allegro animato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No.5 in F, Op.103 "Egyptian": 1. Allegro animato by Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, Op. 13: III. Nocturne | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | A♭ Major | 0 | 4B | 85 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) | James Ehnes | B♭ Major | 1 | 6B | 63 BPM | ||
Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 176 BPM | ||
Carmen Variations after Vladimir Horowitz (1968 version) | Georges Bizet, Arcadi Volodos | C Major | 3 | 8B | 78 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Concertgebouworkest, Riccardo Chailly | F Major | 0 | 7B | 82 BPM | ||
Nocturne in F Major | Georges Bizet, Julia Severus | D Major | 3 | 10B | 92 BPM | ||
Notturno in G Minor, H-U 337 | Fanny Mendelssohn, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Spring Song | La Sinfónica Clásica | A Major | 0 | 11B | 167 BPM | ||
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | B♭ Major | 1 | 6B | 76 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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