"Suite No. 1, Op. 13: III. Nocturne" by Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce was released on April 11, 1995. Suite No. 1, Op. 13: III. Nocturne is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The track order of this song in Jules Massenet's "Massenet: Orchestral Suites Nos. 1- 3 / Herodiade" album is number 8 out of 17. Suite No. 1, Op. 13: III. Nocturne is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 1, Op. 13: III. Nocturne by Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Werther: Act I - Noel Jesus vient de naitre | Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen | F Major | 3 | 7B | 84 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Two Lyric Pieces op.68 At the Cradle | Academy of St. Martin in the Fields | E Major | 0 | 12B | 110 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: I. L'istesso tempo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 62 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Sonate pour basson avec accompagnement piano Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Laurent Lefèvre, Emmanuel Strosser | E♭ Major | 0 | 5B | 66 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Georges Prêtre, Orchestre National De France | G Major | 0 | 9B | 74 BPM |
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