Georges Bizet, Julia Severus made "Nocturne in F Major" available on February 1, 2011. Since Nocturne in F Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 36 in Bizet: Complete Piano Music by Georges Bizet, Julia Severus. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Nocturne in F Major is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nocturne in F Major by Georges Bizet, Julia Severus is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesträume, S. 541: No. 1 in A-Flat Major "Hohe Liebe" | Franz Liszt, Jorge Bolet | B♭ Minor | 0 | 3A | 114 BPM | ||
Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Concerto Without Orchestra, Op. 14 (Grand Sonata No. 3 in F Minor): III. Quasi variazioni. Andantino de Clara Wieck | Robert Schumann, Vladimir Horowitz | D♭ Major | 0 | 3B | 121 BPM | ||
Piano Sonata in B Flat Major, D. 960: II. Andante sostenuto | Franz Schubert, Paul Lewis | D♭ Minor | 0 | 12A | 66 BPM | ||
Piano Sonata No. 2 in D Minor, Op. 14: II. Scherzo. Allegro marcato | Sergei Prokofiev, Alexander Melnikov | A Minor | 2 | 8A | 92 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM |
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