"Piano Sonata in B Flat Major, D. 960: II. Andante sostenuto" by Franz Schubert, Paul Lewis was released on May 5, 2014. Since Piano Sonata in B Flat Major, D. 960: II. Andante sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Schubert: The Late Piano Sonatas". In this album, this song's track order is #6. Piano Sonata in B Flat Major, D. 960: II. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata in B Flat Major, D. 960: II. Andante sostenuto by Franz Schubert, Paul Lewis having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 11 In E Flat Major, H. 56a: Nocturne No. 11 In E Flat Major | Benjamin Frith, John Field | E♭ Major | 0 | 5B | 74 BPM | ||
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
16 Waltzes, Op. 39: 3. In G Sharp Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A♭ Major | 1 | 4B | 179 BPM | ||
Nocturne No. 13 in C Major “Rêverie-Nocturne”, H.45 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 115 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Sonata No. 20 in A Major, D. 959: III. Scherzo - Allegro Vivace | Franz Schubert, Arcadi Volodos | D Major | 0 | 10B | 134 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Schubert / Transcr. Tharaud: Rosamunde, Op. 26, D. 797: No. 6, Entr'acte No. 3 | Franz Schubert, Alexandre Tharaud | B♭ Major | 1 | 6B | 79 BPM |
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