"Stabat Mater, RV 621: Eja Mater - Arr. for Voice & Piano" by Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. The duration of Stabat Mater, RV 621: Eja Mater - Arr. for Voice & Piano is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Stabat Mater, RV 621: Eja Mater - Arr. for Voice & Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. Stabat Mater, RV 621: Eja Mater - Arr. for Voice & Piano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, RV 621: Eja Mater - Arr. for Voice & Piano by Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lungi dal caro bene | Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A♭ Major | 1 | 4B | 96 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Bononcini: La costanza non gradita nel doppio amore d'Aminta: "Infelice mia costanza" (Aminta) | Giovanni Bononcini, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F Minor | 2 | 4A | 69 BPM | ||
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai | Luigi Boccherini, Núria Rial, Orchester Le Phenix | C Major | 0 | 8B | 104 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato | G Minor | 2 | 6A | 173 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Ziani / Arr. Pluhar: Dormite o pupille | Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus | E Minor | 1 | 9A | 175 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM |
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