- BPM
- 175
- Key
- E Minor
- Camelot
- 9A
Ziani / Arr. Pluhar: Dormite o pupille - Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 6%
- Valence
- 7%
- Popularity
- 24%
- Loudness
- -21.668 dB
Summary
"Ziani / Arr. Pluhar: Dormite o pupille" by Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus was released on October 29, 2021. Ziani / Arr. Pluhar: Dormite o pupille is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 3 out of 24 in Alla Napoletana by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Ziani / Arr. Pluhar: Dormite o pupille is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ziani / Arr. Pluhar: Dormite o pupille BPM
The tempo marking of Ziani / Arr. Pluhar: Dormite o pupille by Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
Ziani / Arr. Pluhar: Dormite o pupille Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Villanella, Prima parte, Pensieri amorosi: V. Ite sospiri miei | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 120 BPM | |
 | Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker | G Major | 1 | 9B | 77 BPM | |
 | Pluhar: Orfeo Chamán, Act 2: "Cubrámonos con cenizas" (Orfeo, Nahual, Aristeo) | Christina Pluhar, Nahuel Pennisi, Vincenzo Capezzuto, Emiliano Gonzalez Toro, L'Arpeggiata | G Minor | 1 | 6A | 167 BPM | |
 | Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | |
 | Rossi / Arr. Pluhar: "Se dolente e flebil cetra" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Major | 0 | 12B | 108 BPM | |
 | Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM | |
 | Stu pettu è fattu cimbalu d'amuri | Giuseppe De Vittorio, Accordone, Guido Morini, Pino de Vittorio | G Minor | 1 | 6A | 100 BPM | |
 | Un dolce tormento | Claudio Monteverdi, Marco Beasley, Guido Morini, Accordone | C Major | 8 | 8B | 127 BPM | |
 | Pars III: Et erit post haec - effundam | Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix | E Minor | 0 | 9A | 79 BPM | |
 | Handel / Arr Pluhar: Piangerò la sorte mia (Aria di Cleopatra, from Giulio Cesare in Egitto HWV 17) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | D Major | 1 | 10B | 79 BPM |
- ISRC
- GBPFW2100135
- Label
- L-M Records/RCA Records
Section: 0.6190299987792969
End: 0.628211498260498