"Pars III: Et erit post haec - effundam" by Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix was released on October 1, 2009. Pars III: Et erit post haec - effundam is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix's "Morini: Proemium, Pars I, Intermedio, Pars II, Pars III, Conclusio, et al." album is number 16 out of 21. Pars III: Et erit post haec - effundam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pars III: Et erit post haec - effundam by Helicon and Euterpe Choir, Marco Beasley, Elisabetta de Mircovich, Claudia Caffagni, Karen Peeters, Jaap Kruithof, Edwin Derde, Guido Morini, Geert Hendrix to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fürchte dich nicht | Johann Christoph Bach, Vox Luminis, Lionel Meunier | A Minor | 0 | 8A | 96 BPM | ||
Sept paroles du Christ en croix: Parole 4 "Deus meus, ut quid dereliquisti me" | César Franck, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Godi turba mortal | Emilio de' Cavalieri, Theatro dei Cervelli, Andrés Locatelli | G Major | 0 | 9B | 94 BPM | ||
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 73 BPM | ||
The Writings: No. 4, Where you Go (After the Book of Ruth) | David Lang, Cappella Amsterdam, Daniel Reuss | G Minor | 1 | 6A | 72 BPM | ||
Sicut parvi amplectamur | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM |
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