Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato's 'Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora' came out on September 18, 2001. With Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Juditha Triumphans by Antonio Vivaldi, Academia Montis Regalis, Alessandro De Marchi. The song's track number on the album is #13 out of 60 tracks. The popularity of Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora by Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Pavane, Op. 50 (version for choir and orchestra) | Gabriel Fauré, OSJ Voices, St. John's Orchestra, John Lubbock | F♯ Minor | 0 | 11A | 139 BPM | ||
Ich habe genug, BWV 82: I. Aria. Ich habe genug | Johann Sebastian Bach, Matthias Goerne, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 76 BPM |
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