Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch's 'Das Rheingold: Scene 1: Weia! Waga! Woge, du Welle! (Woglinde)' came out on May 2, 2012. With Das Rheingold: Scene 1: Weia! Waga! Woge, du Welle! (Woglinde) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 2 out of 205. On top of that, United States appears to be the country where this track was created. Based on our statistics, Das Rheingold: Scene 1: Weia! Waga! Woge, du Welle! (Woglinde)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Rheingold: Scene 1: Weia! Waga! Woge, du Welle! (Woglinde) by Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Verdi: Aïda, Act 2: Ballet | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 1 | 4A | 146 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM |
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