Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Verdi: Aïda, Act 2: Ballet" available on October 2, 2015. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Aida by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #22 out of 51 tracks. Based on our statistics, Verdi: Aïda, Act 2: Ballet's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Verdi: Aïda, Act 2: Ballet by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 146 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Aïda, Act 2: Ballet being at 146 BPM, the half-time would be 73 BPM with a double-time of 292 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Op. 72 (Remastered): No. 2 in E Minor. Allegretto grazioso | Antonín Dvořák, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 73 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 2 | 9A | 142 BPM | ||
Parsifal, WWV 111 / Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 91 BPM | ||
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Te Deum | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | F♯ Major | 0 | 2B | 137 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 3. Skocná. Allegro | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 3 | 7B | 97 BPM |
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