"4 Sacred Pieces (Quattro pezzi sacri): Te Deum" by Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch was released on January 1, 1993. 4 Sacred Pieces (Quattro pezzi sacri): Te Deum appears to be safe for all ages as it is not explicit. This song is part of Verdi: Requiem; Quattro pezzi sacri by Giuseppe Verdi, Wiener Philharmoniker, Claudio Abbado. The song's track number on the album is #8 out of 19 tracks. Based on our statistics, 4 Sacred Pieces (Quattro pezzi sacri): Te Deum's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Sacred Pieces (Quattro pezzi sacri): Te Deum by Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 4 Sacred Pieces (Quattro pezzi sacri): Te Deum being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereint | Ludwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 1 | 8B | 81 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
Otello, Act IV: Act IV: Ave Maria (Desdemona) | Giuseppe Verdi, Raffaella Angeletti, Oviedo Filarmonía, Friedrich Haider | A♭ Major | 0 | 4B | 89 BPM | ||
Künstlergruß, Polka française, Op. 274 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 81 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
La traviata, Act I: Sempre libera "Cabaletta" | Giuseppe Verdi, Anna Netrebko, Saimir Pirgu, Mahler Chamber Orchestra, Claudio Abbado | G Major | 3 | 9B | 86 BPM | ||
Rigoletto / Act 1: Questa o quella...Partite? Crudele! | Giuseppe Verdi, Plácido Domingo, Olive Fredricks, Luigi De Corato, Dirk Sagemüller, Piero Cappuccilli, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A♭ Major | 2 | 4B | 120 BPM |
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