Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) - Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini Information

Acousticness: 99%
Danceability: 21%
Energy: 21%
Instrumentalness: 3%
Liveness: 40%
Loudness: 70%
Speechiness: 4%
Valence: 6%
Popularity: 1%
Loudness: -17.961 dB

Summary

"Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini was released on January 1, 2003. Since Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 23 in Cherubini, L.: Medea [Opera] (1953) by Luigi Cherubini, Maria Callas, Andrea Morosini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) BPM

The tempo marking of Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Medea (Medee) (Sung in Italian): Act III: Numi, venite a me (Medea) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro	George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown	G Minor	4	6A	120 BPM
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller	D Major	3	10B	85 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie	Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick	B♭ Major	2	6B	99 BPM
Medea (Medee) (Sung in Italian): Act III: D'amore il raggio ancora (Neris)	Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini	D Major	2	10B	87 BPM
Requiem: III. Tuba Mirum	Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea	D♭ Minor	2	12A	97 BPM
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti	E Minor	3	9A	139 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai	Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts	A Minor	4	8A	123 BPM
Lohengrin: Treulich gefuhrt ziehet dahin	John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn	B♭ Major	0	6B	70 BPM
Mass in A Major: Kyrie	Luigi Cherubini, Cologne Radio Chorus, Cappella Coloniensis, Gabriele Ferro	A Major	0	11B	136 BPM

ISRC: USB8U1005692
Label: L-M Records/RCA Records

Section: 0.6753244400024414

End: 0.6789641380310059