"Requiem: III. Tuba Mirum" by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea was released on August 24, 2009. The duration of Requiem: III. Tuba Mirum is about 3 minutes long, at 3:26. Based on our data, "Requiem: III. Tuba Mirum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #3 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Requiem: III. Tuba Mirum is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: III. Tuba Mirum by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: III. Tuba Mirum being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: Scene (Allegro) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 124 BPM | ||
Nazareno: III. Guaracha y Mambo (Arr. Gonzalo Grau) | Osvaldo Golijov, Sir Simon Rattle, London Symphony Orchestra, Katia & Marielle Labèque, Gonzalo Grau, Raphaël Séguinier | F♯ Minor | 6 | 11A | 160 BPM | ||
Symphony No.9 in E Minor, Op.95, B.178: 3. Scherzo (Molto vivace) | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Guiseppe Verdi: Life and Works: Requiem: 'Rex tremendae' | Freddie Jones, Jeremy Siepmann | D♭ Major | 3 | 3B | 83 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": III. Con moto moderato | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 69 BPM |
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