On September 2, 2008, the song "Suite No. 4 in G Major: V. Gavotte" was released by Michael Praetorius, The New York Renaissance Band, Sally Logemann. The duration of Suite No. 4 in G Major: V. Gavotte is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite No. 4 in G Major: V. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Praetorius: Terpsichore - Suites Nos. 1-4". In this album, this song's track order is #25. In terms of popularity, Suite No. 4 in G Major: V. Gavotte is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite No. 4 in G Major: V. Gavotte by Michael Praetorius, The New York Renaissance Band, Sally Logemann having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Isaac: Virgo Prudentissima, 6vv - 1. Virgo Prudentissima | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 112 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Soneto II | Enríquez de Valderrábano, Shirley Rumsey | F Major | 1 | 7B | 144 BPM | ||
Terpsichore (arr. for chamber ensemble): Branle double | Laura Pudwell, Michael Praetorius, David Fallis, Alison Melville, Terry Mckenna, Paul Jenkins, John Pepper, Baltimore Consort | G Major | 1 | 9B | 78 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM |
Section: 0.7443265914916992
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