Johann Strauss I, Mariss Jansons, Wiener Philharmoniker made "Radetzky-Marsch, Op. 228" available on January 8, 2016. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "New Year's Concert 2016 / Neujahrskonzert 2016". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Mariss Jansons, Wiener Philharmoniker having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Helenen-Quadrille, Op. 14 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | F Major | 2 | 7B | 88 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | D Major | 1 | 10B | 91 BPM | ||
Humoresque in G-Flat Major, Op. 101, No. 7 (Arranged for Violin & Orchestra) | Antonín Dvořák, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | F♯ Major | 2 | 2B | 102 BPM | ||
Danse diabolique | Joseph Hellmesberger, Jr., Mariss Jansons, Wiener Philharmoniker | B♭ Major | 5 | 6B | 87 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 108 BPM | ||
Bad'ner Mad'ln, Walzer, Op. 257 | Karel Komzák, Jr., Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 82 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM |
Section: 0.7368075847625732
End: 0.7542223930358887