- BPM
- 82
- Key
- A♭ Major
- Camelot
- 4B
Tallis: Lamentations of Jeremiah 1 - 3. Beth - Thomas Tallis, Peter Phillips, The Tallis Scholars Information
- Acousticness
- 100%
- Danceability
- 8%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -24.393 dB
Summary
"Tallis: Lamentations of Jeremiah 1 - 3. Beth" by Thomas Tallis, Peter Phillips, The Tallis Scholars was released on August 28, 2015. With this song being about 5 minutes long, at 4:49, "Tallis: Lamentations of Jeremiah 1 - 3. Beth" by Thomas Tallis, Peter Phillips, The Tallis Scholars is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #30. Tallis: Lamentations of Jeremiah 1 - 3. Beth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tallis: Lamentations of Jeremiah 1 - 3. Beth BPM
With Tallis: Lamentations of Jeremiah 1 - 3. Beth by Thomas Tallis, Peter Phillips, The Tallis Scholars having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Tallis: Lamentations of Jeremiah 1 - 3. Beth Key
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | |
 | The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | |
 | Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | |
 | Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | |
 | 6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | |
 | Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | |
 | Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | |
 | Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | |
 | Responses and Collects for Christmas Eve Evensong | Thomas Tallis, Chapelle du Roi, Alistair Dixon | G Major | 0 | 9B | 135 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5512621402740479
End: 0.5554344654083252