"The Trojan Women: Lullaby - Produced" by Karel Husa, Brno State Orchestra was released on 1998. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Trojan Women: Lullaby - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Trojan Women: Lullaby - Produced by Karel Husa, Brno State Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
プラハ1968年のための音楽 I- 序奏とファンファーレ | Karel Husa, ヴァーツラフ・ブラフネク, Tokyo Kosei Wind Orchestra | D Major | 2 | 10B | 65 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Tabuh-Tabuhan: I. Ostinatos | Colin McPhee, Leonard Slatkin, BBC Symphony Orchestra, John Alley, Elizabeth Burley | D Minor | 2 | 7A | 108 BPM | ||
交響曲第4番 ヘ短調 Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, NHK Symphony Orchestra, Tadaaki Otaka | A♭ Major | 2 | 4B | 67 BPM | ||
Symphony No. 2: Introduction | Christian Lindberg, Göteborg Wind Orchestra | G Minor | 0 | 6A | 73 BPM |
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