Symphony No. 1 "Jeremiah": II. Profanation
Leonard Bernstein, Jennie Tourel, New York Philharmonic
Bernstein: O Jermiah & Symphony No. 1 & I Hate Music & La Bonne Cuisine
6:39 1960
BPM
79
Key
E Minor
Camelot
9A

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Symphony No. 1 "Jeremiah": II. Profanation - Leonard Bernstein, Jennie Tourel, New York Philharmonic Information

Acousticness
99%
Danceability
45%
Energy
28%
Instrumentalness
92%
Liveness
15%
Loudness
65%
Speechiness
12%
Valence
61%
Popularity
Loudness
-20.706 dB

Summary

Leonard Bernstein, Jennie Tourel, New York Philharmonic made "Symphony No. 1 "Jeremiah": II. Profanation" available on 1960. Since Symphony No. 1 "Jeremiah": II. Profanation is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 20 in Bernstein: O Jermiah & Symphony No. 1 & I Hate Music & La Bonne Cuisine by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 "Jeremiah": II. Profanation is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Symphony No. 1 "Jeremiah": II. Profanation BPM

The tempo marking of Symphony No. 1 "Jeremiah": II. Profanation by Leonard Bernstein, Jennie Tourel, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Symphony No. 1 "Jeremiah": II. Profanation Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
USSM16100715
Label
L-M Records/RCA Records

Section: 0.8639018535614014

End: 0.8691427707672119