Leonard Bernstein, Jennie Tourel, New York Philharmonic made "Symphony No. 1 "Jeremiah": II. Profanation" available on 1960. Since Symphony No. 1 "Jeremiah": II. Profanation is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 20 in Bernstein: O Jermiah & Symphony No. 1 & I Hate Music & La Bonne Cuisine by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 "Jeremiah": II. Profanation is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony No. 1 "Jeremiah": II. Profanation by Leonard Bernstein, Jennie Tourel, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 70 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Spring Rounds (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | D♭ Major | 1 | 3B | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 145 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |
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