"The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes)" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. The duration of The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #9. Based on our statistics, The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66, TH 13 / Act 1: 7. Scène (The Four Princes) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty-Valse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 92 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Major | 1 | 10B | 159 BPM | ||
Symphony No. 1 In G Minor, Op. 13, "Winter Daydreams" : I. Allegro Tranquillo | Polish National Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky | G Major | 2 | 9B | 130 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Prologue: 3. Pas de six: Intrada - Adagio (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 1 | 6B | 79 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Symphony No. 8, Zweiter Teil: V. Poco adagio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | E♭ Minor | 0 | 2A | 61 BPM | ||
Symphony No. 12 in D Minor, Op. 112, "the Year of 1917": IV. The Dawn of Humanity | Dmitri Shostakovich, Gürzenich Orchester Köln, Dmitri Kitayenko | B♭ Major | 3 | 6B | 98 BPM |
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