"Symphony No. 1 In G Minor, Op. 13, "Winter Daydreams" : I. Allegro Tranquillo" by Polish National Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky was released on October 30, 1992. Symphony No. 1 In G Minor, Op. 13, "Winter Daydreams" : I. Allegro Tranquillo appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky: Symphony No. 1 / Hamlet Overture". In this album, this song's track order is #1. Based on our statistics, Symphony No. 1 In G Minor, Op. 13, "Winter Daydreams" : I. Allegro Tranquillo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 In G Minor, Op. 13, "Winter Daydreams" : I. Allegro Tranquillo by Polish National Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Havanaise in E Major, Op. 83 | Camille Saint-Saëns, Marat Bisengaliev, Polish National Radio Symphony Orchestra, Johannes Wildner | E Major | 1 | 12B | 95 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Polish National Radio Symphony Orchestra, Adrian Leaper | F Major | 3 | 7B | 137 BPM | ||
Konig der letzten Tage (King of the Last Days): Intrada | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 1 | 9B | 98 BPM | ||
Piano Concerto in E Major, Op. 59: II. Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Minor | 0 | 12A | 78 BPM | ||
Deux arabesques: Deux arabesques: I. Andantino con moto | Claude Debussy, Alain Planès | F♯ Minor | 1 | 11A | 72 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM |
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