Johann Strauss I, Vienna Volksoper Orchestra, Franz Bauer-Theussl made "Radetzky-Marsch, Op. 228" available on September 30, 1986. The duration of Radetzky-Marsch, Op. 228 is about 3 minutes long, at 3:17. Based on our data, "Radetzky-Marsch, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Strauss Family: Orchestral Favourites". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Radetzky-Marsch, Op. 228 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Vienna Volksoper Orchestra, Franz Bauer-Theussl having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "New World": II. Largo | Antonín Dvořák, Anton Nanut, RSO Ljubljana | D♭ Major | 0 | 3B | 73 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, I Musici | B♭ Minor | 1 | 3A | 84 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera | Georges Bizet, Seiji Ozawa, Orchestre National De France | D Major | 0 | 10B | 122 BPM | ||
Einzugs-galopp, Op. 35 | Slovak Sinfonietta, Zilina, Johann Strauss I | A Major | 2 | 11B | 145 BPM |
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