Slovak Sinfonietta, Zilina, Johann Strauss I made "Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major" available on October 29, 2003. With Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Sinfonietta, Zilina's "Johann Strauss I: Edition - Vol. 3" album is number 11 out of 15. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major by Slovak Sinfonietta, Zilina, Johann Strauss I to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
Piano Concerto No. 1 in F Major: III. Rondo: Allegro | Leopold Koželuch, Tomas Dratva, Slovak Sinfonietta, Zilina, Oliver von Dohnanyi | F Major | 2 | 7B | 107 BPM | ||
Suppé: Dichter und Bauer: Overture (Andante maestoso - Allegro strepitoso) | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 78 BPM | ||
Die Puppenfee (The Fairy Doll): No. 12 Moderato | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations V & VI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM |
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