Georges Bizet, Seiji Ozawa, Orchestre National De France's 'Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera' came out on January 1, 1984. The duration of Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Bizet: Suites from Carmen & L'Arlésienne by Georges Bizet, Seiji Ozawa, Orchestre National De France. Based on our statistics, Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera by Georges Bizet, Seiji Ozawa, Orchestre National De France is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | C Major | 2 | 8B | 85 BPM | ||
Semiramide: Overture | Gioachino Rossini, Boston Symphony Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 122 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 2. Allegro moderato - Allegro deciso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 1 | 4B | 78 BPM | ||
L’Arlésienne Suite No. 2: IV. Farandole | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Orchestre National De France, Cristian Măcelaru | F Major | 2 | 7B | 85 BPM | ||
Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 2 | 8B | 140 BPM | ||
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM |
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